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JIM CORY
Jim Cory’s most recent publications are Birds & Buildings (2019, Moonstone Press, Philadelphia), Wipers Float In The Neck Of The Reservoir (2018, The Moron Channel, New Orleans) and 25 Short Poems (2016, Moonstone Press, Philadelphia). He has edited poetry selections by contemporary American poets including James Broughton (Packing Up for Paradise, Black Sparrow Press) and Jonathan Williams (Jubilant Thicket, Copper Canyon Press). Recent essays include “What Makes A Queen A Queen?” in the Gay & Lesbian Review, “Fascinating Asshole (or) How I Came To Love Frank Sinatra” in New Haven Review, and “Where’s the Hotboy Going Tonight?” in Chelsea Station. He has been the recipient of fellowships from the Pennsylvania Arts Council, Yaddo and The MacDowell Colony.
WARREN LONGMIRE
Warren C Longmire is a writer, educator, software engineer and human from North Philadelphia. He is a two-time Pushcart nominee and the co-founder of the Excelano Project Spoken Word Collective. He is a former contributing editor for Apiary Magazine, Director of Poetry Events for Blue Stoop and Programming Manager for the Nick Virgilio Haiku Society. Poems featured in this collection have been published in Stone Fruit, American Poetry Review, Bedfellows, Prolit, Voicemail Poems and The Best American Poetry 2021. Open Source is his first full-length book.
EMILY ABENDROTH
Emily Abendroth is the author of the poetry collection ]Exclosures[ and The Instead, a book-length collaborative conversation with fiction writer Miranda Mellis. She has also released chapbooks with Albion Press, Belladonna, Horseless Press, Little Red Leaves, and Zumbar. She has been awarded residencies at the MacDowell Colony, the Millay Colony, and the Headlands Center for the Arts, and was named a 2013 Pew Fellow in Poetry. She is a founding member of the Coalition to Abolish Death By Incarceration, as well as LifeLines: Voices Against the Other Death Penalty.
CYNTHIA ARRIEU-KING
Cynthia Arrieu-King was raised in Louisville, Kentucky. She is an associate professor of creative writing at Stockton University and a former Kundiman fellow. Her other books of poetry include People are Tiny in Paintings of China (Octopus Books 2010) and Manifest, winner of the Gatewood Prize chosen by Harryette Mullen (Switchback 2013). She edited the Asian Anglophone edition of dusie magazine and The Soluble Hour (Omnidawn 2017) by the late Hillary Gravendyk. Her next book of poetry, Continuity (Octopus 2019), works as a “double album” with Futureless Languages. She divides her time between the East Coast and Louisville, Kentucky.
